Phil donated his to the collection of the Smithsonian’s Cooper Hewitt Museum.
Kodak Instamatic 500:
This hefty steel-bodied camera was made in 1963 in Germany and was a high-specification model, fully manual. Its light meter is made by the respected Gossen but reviewers often recommend using a hand-held one instead. A button on the bottom allows the lens to recess into the body.
“This amazing camera never needs flashcubes. Makes its own flashes!” boasts the camera’s box. It also has a rechargeable battery and electric eye for automatic focusing.
Berkey started in Boston and is best known for its movie cameras; the Everflashes went into production in 1970, first using Kodak film and, later, Polaroid film.
Inexpensive point-and-shoot; its “X” designation means it didn’t need a battery, thanks to the 1970 introduction of the Flashcube. Since Phil’s collection reflectsRdesign and technology breakthroughs in people’s cameras, this attribution from Wikipedia is relevant: The lead designer for the Instamatic program wasDean M. Peterson (original design by Alexander Gow), also later known for most of the innovations in thepoint-and-shoot camera revolution of the 1980s.
Often sold as a toy and purchased by Phil about 1985 at Urban Outfitters for about $10, the plastic-bodied Quad Cam shoots four images within a second on a single 35mm negative. His is in the collection of The Smithsonian’s Cooper Hewitt Museum of Design.